There's nothing 'racist' about my collection of Reform UK dolls, by a golliwog

By Eleanor Robertson, off the jam

THEY come in all varieties, in a host of little outfits, they’re very collectable and they bring me joy. So why does everyone have to carp about my collection of Reform UK dolls? 

Why are we so quick to take offence at unambiguously demeaning caricatures of groups in society these days? When I’ve got all 1,600 local council candidates all correct and complete? 

Yes, they have exaggerated features, with their puce faces and shocks of thinning grey hair, and they’re largely dressed in tweeds or blazers like lower-middle-class twats cosplaying as country squires or ex-army officers. But that’s just traditional.

Reformiwogs, as we enthusiasts call them, have a long history going all the way back to 1993 when they were branded as UKIP. I had a Reformiwog as a child and loved him ruining my dollies’ tea parties with comments about the single currency and ‘the blacks’.

It never even occurred to me think of him as a person. Roger, as I named him, was simply a child’s toy, not an ageing white man with a baseless sense of victimhood and a bizarre nostalgia for V2 bombs falling on London. 

What is the appeal of Reform UK dolls? I find their angry little faces so adorable. There are 45 in my living room alone which is quite a surprise for visitors, though my white friends say it makes them uncomfortable.

That’s oversensitive. Reform dolls are clearly a blatant stereotype of white people as whining, tedious bigots, but to me they’re fictional characters like Rupert the Bear if Rupert had given speeches about deporting Tiger Lily.

Really it says more about the people criticising my dolls than me. How can a stuffed toy be racist? They’re just a fun thing to collect, like wild birds’ eggs or Nazi cap badges. 

So let me play with my Reform UK dolls and leave me be. Today, I’m going to play they’re all elected in a populist revolution and instigate a programme of mass deportations!

Sign up now to get
The Daily Mash
free Headlines email – every weekday
privacy

How it felt to look down on a planet where you're musically irrelevant, by Katy Perry

BEING in space, looking down at that swirled blue marble that is the Earth? It really gives you perspective. From up there, it’s so profoundly obvious my music career is over. 

Space travel is a blessed thing, a miracle. A rare privilege reserved only for elite astronauts and those with no hits but a world tour to promote. And let me tell you, to realise that in space nobody has heard your 2013 hit Roar is truly humbling.

I’m far from the only person to feel this. Astronauts talk of the Overview Effect – a mental shift which makes them feel more connected to the world and everyone on it. And all I could think was that I haven’t won a Teen Choice award in 12 years.

The fragility of our biosphere, the landmasses freed from the arbitrary boundaries we’ve imposed on them, and the sheer beauty of our planet really brought home to me that I was once considered a serious rival to Taylor Swift, a reality now as distant as another star.

Watching the rays of the sun illuminate the curvature of the Earth, I remembered that my album 143 was universally panned by critics. That my last hit, Never Really Over, topped out at 15 in the Billboard charts. I’m not afraid to say I shed a zero-gravity tear.

The clouds skidding across the sky seemed a galactic taunt, as if the Earth was telling me I peaked with Teenage Dream and that today’s Sabrina Carpenter fans weren’t even born then.

‘You’re right,’ I whispered. ‘My distinct brand of bubblegum pop has had its day. Wearing a bra that sprays whipped cream is passé in the era of Chappell Roan.’

Touching down on Earth, I was forever changed. I was suffused with a new understanding of how fleeting a pop career is. I know now the Sunday legends slot at Glastonbury is where I belong.