THERE’S celebrating your regional identity and there’s boring people shitless with it. These Northern bands veered well into the latter:
The Fall
An ever-rotating cast around moaning Salford git caricature Mark E Smith, a tiny fraction of whose random hates included: Joe Strummer, TV box sets, Blade Runner, Lloyd Grossman and scruffy dressing (‘There’s no need. Primark sells some alright stuff at a fair price.’) A legend, but not one you’d like to go on a long car journey with.
The Housemartins
Their 1986 debut album was London 0 Hull 4, referring to the number of good bands in the respective cities at the time, which must have come as a shock to Eurythmics, Madness, Bronski Beat and countless other shit bands no one liked.
Northside
From the north side of Manchester. Proved how Madchester they were with their single Shall We Take A Trip, containing the least subtle drug references in musical history: ‘Shall we take a trip down memory lane’, ‘head into the clouds in the acid rain’, and the unambiguous ‘Sing LSD, sing LSD’. They may as well have called it Please Ban This Druggie Song. And the BBC did.
Happy Mondays
Youth doesn’t get much more scally than Shaun Ryder’s in Greater Manchester: ‘robbing’, not learning the alphabet until he was 28, drugs, shagging housewives, working on a building site at 13. The very definition of rough-as-f**k Manchester, tales of him are still used to frighten Southern students to this day.
The Farm
From Liverpool, in case you hadn’t noticed. Peter Hooton was well into socialism, and their plodding hit All Together Now was about working class solidarity. However Groovy Train is just about a train where everyone is off their heads on drugs. Which might explain the service on TransPennine Express and Avanti.
Joy Division
Manchester is not the loveliest city compared to, say, Vienna, but it seems Joy Division lived in a part that was an ultra-bleak, dehumanising, existential future dystopia. With songs are as upbeat and chirpy as She’s Lost Control and New Dawn Fades, you wonder where that Northern sense of humour’s gone. Unless Ian Curtis was joking?
The Smiths
Morrissey turned Northern gloom into an art form. How Soon Is Now? is about going clubbing being suicidally depressing, Rusholme Ruffians reminds us that going to a funfair is grim and fatal, and Heaven Knows I’m Miserable Now describes an average day north of Crewe. Still, it’s good-time party music compared to what he’s become.