HALLOWEEN parties need Halloween playlists, but as Strictly discovers every year there aren’t enough songs for it to work. Try these:
Thriller by Michael Jackson, 1983
Brilliant start. Great song, lyrics about horror stuff, zombies doing a formation dance, Vincent Price intoning spooky shit, an absolute copper-bottomed Halloween floor-filler. You’ve shot your best shot and everyone knows it. You begin to sweat.
Ghostbusters by Ray Parker Jr, 1984
Now you’ve panicked and shoved this on, your most engagingly chanty song that gets even little kids gorging on Maoms jumping around. This would be going great if you had anything even half-decent to follow it, which you haven’t. You thought this would be easier. Shit.
Black Magic by Little Mix, 2015
All but the tween girls abandon the dancefloor as you put on a Halloween song in name only. The lyrics mention potions and crystal balls but it’s just your standard sexy come-on track really. Desperately you try to save it with an undeniable trick-or-treat classic.
The Monster Mash by Bobby Pickett, 1962
As Halloween as f**k, you beam proudly from behind your fake-cobweb-bedecked Bluetooth speaker, so why are the girls leaving the floor? Why are you now playing exclusively to toddlers on sugar highs? It’s because the Monster Mash is a crap novelty song from the 1960s, isn’t it?
Werewolves of London by Warren Zevon, 1978
Left with no other choice, you play some of your more original material. This song’s great and it’s got howls in the chorus. The crowd don’t know it and don’t like it. Nor do they enjoy Zombie Nation, Ghost Town, Black Sabbath or Nine Inch Nails. You’re getting looks from adults that say ‘play the f**king hits, dickhead’.
Thriller by Michael Jackson, 1983
You give up, put the first four songs on shuffle, and get a drink. When asked why you didn’t play the Time Warp, you tell your neighbour to piss off in front of their baby who’s dressed like a pumpkin.