IF the sad loss of David Lynch has spurred you to say you adore films that baffle you, you are far from alone. Never admit that these movies left you utterly bewildered:
Mulholland Drive (2001)
A bona fide masterpiece, as long as nobody’s next to you going ‘what’s happening now? Who’s that cowboy? Why are they doing that?’ Mutter vaguely about ‘dream logic’ and ‘non-linear image-based storytelling’ while avoiding the simple truth about the film: the first half is a load of bollocks while the second half is utter guff.
Tenet (2020)
You tell everyone that Tenet is a fascinating thought experiment, but what you really mean is that you tried to follow it, even using a guide off the internet, and failed. The bit with the red and blue rooms gave you a migraine. Apparently the wife is moving forwards in time while the kidnappers are moving backwards. Or the other way around.
Blade Runner (1982)
Interpreting Blade Runner is not helped by there being multiple different versions, all with their adherents. How many replicants have escaped? Nobody knows. Is Deckard a replicant? Possibly. Does Harrison Ford give the impression that he regrets being in this movie? Definitely. Would reading the book help? Absolutely not.
Donnie Darko (2001)
So confusing it needed a whole website to provide additional clues. With its moody vibe and retro-indie soundtrack, it was the epitome of cool in 2001. Unfortunately, you mistook ‘cool’ for ‘good’ and decided the ambiguity of the movie made it deep and meaningful. In fact it was as shallow as its model-dating, Swift-dumping star turned out to be.
Primer (2004)
The film attempts to depict how complicated and messy time travel would be, leading you to misinterpret incomprehensibility for intellectual heft. It might make sense to someone, but they’re busy working on the Large Hadron Collider. You’re pretty sure there’s a twist at the end but you’ve no f**king idea what it is. Though praised it as ‘genius’ regardless.
2001: A Space Odyssey (1968)
Deliberately enigmatic, you have no idea what’s going on after a certain point and are pretty sketchy about the lead-up. What is the monolith telling us? Can the giant space baby that’s poised to invade Earth at the end be fought off with lasers? Was Stanley Kubrick, as many were at the time, simply extremely high?