CINEASTE Martin Scorsese has enthralled critics, and very occasionally audiences, for 50 years. But is his oeuvre the same old crap about the Mafia again and again?
Mean Streets, 1973
Making his debut with a film starring Robert DeNiro about Italian-American crooks in New York, Scorsese started as he meant to bang on and on. And, given The Godfather was a huge hit the year before, it was as thrillingly original as the 90s Brit gangster films that followed Lock Stock. But, credit to him, he stepped away from Mafia films after that.
Bad, 1986
Stepping away from Mafia films didn’t really work out. Taxi Driver and Raging Bull are decent, while hardly straying away from the Italian-American New York criminal scene, but musicals, comedies, and satires all fail. By 1986 he’s directing an 18-minute Michael Jackson video in which Jackson is less believeable as a badass than he was as a zombie.
Goodfellas, 1990
Returning to the Mafia like an ex-con who’s failed at pulling straight time, Scorsese makes his only film everyone likes by doing all his little tricks that aren’t that tired yet. Stars DeNiro, obviously, set in New York because where else is there, a 90s update on The Godfather that happened to come out the same year as the shit Godfather sequel so obviously wins.
The Age Of Innocence, 1993
Representing all the other movies Scorsese’s made that aren’t about the Mafia that nobody gives a flat fuck about, this is an adaptation of an Edith Wharton novel about 1870s New York high society so stupefyingly dull it killed millions.
Casino, 1995
Which is why he went running straight back to the Mafia to make a movie so generic you’re unsure if you’ve seen it or not even while the credits roll. Robert DeNiro, Joe Pesci, all the bloody rest though this one is set in Las Vegas. What a major departure for this chameleon of a filmmaker.
The Departed, 2006
By now the pattern is established: Mafia movie, kudos, greenlights for other, more ambitious and varied projects, nobody watches them, Mafia movie. Starring the shameful overacting of Jack Nicholson and the functionally identical Matt Damon and Leonardo DiCaprio, everyone who raved about this is ashamed they did.
The Irishman, 2019
No other director could put DeNiro, Pesci and Pacino together in a Mafia movie. No other director is that short of ideas. Makes Sharknado 5 seem innovative. Everyone’s too old for their parts, especially the director, and nobody has ever finished the three-hour film. Not one person. Not even Scorsese.
Killers of the Flower Moon, 2023
A film not about gangsters for a streaming service nobody’s subscribed to. This, and one more, and then he’ll reward us with yet another fucking Mafia movie.